| Henry-Louis de La Grange | |
|---|---|
Henry-Louis de La Grange in August 2010 as photographed by Dominique Degli-Esposti. |
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| Born | 26 May 1924 Paris, France |
| Nationality | French |
| Occupation | Musicologist, biographer |
| Parents | Amaury de la Grange Emily Sloane |
Henry-Louis de La Grange (born 26 May 1924) is a musicologist and biographer of Gustav Mahler.
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Henry-Louis de La Grange was born in Paris of an American mother (Emily Sloane) and a French father, Amaury de la Grange(fr), who was a senator, one-time government minister, and Vice-President of the International Aviation Federation. Henry-Louis studied the humanities in Paris and New York and literature at Aix-en-Provence University and at the Sorbonne. From 1946 to 1947 he studied at the Yale University School of Music and subsequently, from 1948 until 1953, privately in Paris – piano under Yvonne Lefébure and harmony, counterpoint, and analysis under Nadia Boulanger.[1][2][3]
La Grange began working as a music critic in 1952, writing articles for the New York Herald Tribune and The New York Times, and the magazines Opera News, Saturday Review, Musical America, and Opus in the United States, and Arts, Disques, La Revue Musicale, and Harmonie in France.[4]
He first heard the music of Gustav Mahler, the Ninth Symphony, on 20 December 1945 at a concert in which Mahler's disciple, Bruno Walter, conducted the New York Philharmonic in its first performance of the work. La Grange had attended the concert because he had become a great admirer of the conductor, but knew very little about Mahler, who at the time was not nearly as well known as he is now. He was surprised at the length of the symphony and its unusual style, and his interest was piqued. Gradually becoming more and more interested, from the early 1950's on he began to seriously investigate Mahler's works and his life.[5][6][7] He met Mahler's widow Alma Mahler in 1952, became a close friend of her daughter Anna, and interviewed other contemporaries of the composer. He carried out research in Europe and North America and over time accumulated a collection of materials which became one of the richest existing archives concerning Mahler and his epoch.[3] These documents are now part of a multimedia library, the Médiathèque Musicale Mahler, originally founded in 1986 with Maurice Fleuret as the Bibliothèque Gustav Mahler.[8]
The first volume of his definitive Mahler biography was published by Doubleday (New York) in 1973, and Gollancz (London) in 1974 and received the Deems Taylor Award (U.S. 1974). A revised edition in French was published by Fayard in 1979, followed by two more volumes in 1983 and 1984, the entire series reaching a final length of about 3600 pages. This work was recognized by the Prize for the Best Book on Music awarded by the Syndicat de la critique dramatique et musicale (France 1983), and the Grand Prix de Littérature musicale of the Académie Charles Cros (France 1984). Subsequently Oxford University Press started to publish a revised and English expanded 4-volume version of the French 3-volume set, starting with Volume II in 1995 (awarded the Prize of the Royal Philharmonic Society in London.[4]), Volume III in 2000, and Volume IV in 2008. The revised English Volume I is in progress.
Lecturing on Mahler for many years, Henry-Louis de La Grange has toured the United States, Canada, England, Ireland, Sweden, Norway, Belgium, Holland, the Czech Republic, Hungary, Spain, Italy, Morocco and, in the Far East, Japan, Hong Kong, Indonesia, the Philippines, Australia, and New Zealand.[4] He has spoken at Stanford University, Columbia University, and Indiana University (1974–81), the University of Geneva (1982), the University of Leipzig, the Juilliard School, the University of California at Los Angeles (1985), Budapest University (1987), the University of Hamburg (1988), the University of Oslo (1993), the Paris Conservatory, as well as the universities in Kyoto, Hong Kong, Wellington, Sydney, Canberra, Melbourne, Boulder, and San Francisco (1998), and taught a DEA seminar at the École Normale Supérieure in Paris (1986).[9]
He directed the Festival "Les Nuits d'Alziprato" in Corsica for five years (1974–1979), and in the Summer of 1986 the Mahler Festival in Toblach (Dobbiaco, Italy),[1] produced or took part in many broadcasts on radio and television, including 34 two-hour programs on France Musique (Radio) on the life and work of Mahler, six one-hour programs for WGUC (Public Radio) in Cincinnati, U.S.A, and a series of six on Mahler’s last years for Radio Suisse Romande. He also collaborated in the conception and production of the first large-scale exhibition on Mahler: "Une Oeuvre, une Vie, une Epoque" at the Musée d'Art moderne, Paris, in 1985, which attracted over 27,000 visitors, thus breaking all previous records for a musical exhibition.[1] In the same context, he organized two international Mahler symposiums, in Paris and Montpellier. On the occasion of the complete Mahler cycle performed at the Théâtre du Châtelet in Paris from February to May 1989, he mounted two exhibitions, one at the Châtelet and the other at the Bibliothèque Gustav Mahler, gave 5 lectures, and organized a symposium at the Sorbonne.[1][10][11]
Henry-Louis de La Grange acted as advisor for the Mahler cycle given by the Orchestre National de Lyon from 1991 to 1994[12] and, in 1999, organized an International Symposium about "Irony in Mahler's Music" at the University of Montpellier. In 1998, he spent three weeks in San Francisco as guest lecturer for the San Francisco Symphony's "Mahler Celebration",[4] and he was one of the first European musicologists to lecture about Mahler in Beijing. He toured the United States and Mexico as a lecturer in 2000, and in 2002 he gave four pre-concert talks in Philadelphia and New York for the Philadelphia Orchestra.[4]
A collection of his articles and lectures was published in Japanese in 1992 by ARC (Tokyo), Japan.
For ten years (1986–1995) he reviewed new Mahler recordings for the French magazine Diapason and also wrote occasionally for Le Monde, L'Evénement du Jeudi, Le Monde de la Musique, Opus (Chatsworth, California: ABC Consumer Magazines), Scherzo (Madrid), Amadeus (Milano) and Le Nouvel Observateur.
Program notes for the Orchestre de Paris about all of Mahler's orchestral works (1971–88).
Liner notes of LPs and CDs for numerous recordings of Mahler, as well as other composers ranging from Brahms to Tchaikovsky. Numerous contributions to scholarly publications.